Since last May most of my Chestnut Hill Local newspaper columns have been about people who were not what they seemed to be. For example, I’ve written about Margaret Wise Brown, the children’s book author (Goodnight Moon) who turned out to be quite neurotic, depressed and misguided. And John Howard Griffin, a white journalist (Black like Me) who passed as a Negro to travel the American south recording the racial oppression he observed. Most recently, I told how the world-famous “Crying Indian” (from the 1970s anti-pollution ads) was really the movie actor Iron Eyes Cody – who was in real life a Sicilian American from Louisiana.
I hesitate to include today’s illusion, “la Saraghina,” in this series. The woman who played this character in Federico Fellini’s classic movie “8 1/2” never pretended to be anything other than what she was – an actress. Nonetheless, her performance in her one big scene in that movie was so perfect she remains lodged in my mind as the grotesque dancing temptress known as la Saraghina.
Young cinema buffs can never know how we all awaited and anticipated each new Fellini film back in the 1960s. Fellini and Italy were inextricably linked. His movies were thoroughly original, and terrifically entertaining. He wrote and directed most of his films. What will he do next? was on our collective movie-going minds whenever he released a new movie. They were not classics then; they were modern.
Too bad we’ll never know what might have happened next. Two priests came running up to the scene. The boys fled. Guido was caught and dragged home. Cut back to present time in the garden, the adult Guido nodding perfunctorily as the priest talks and his boyhood memory fades.
What a great scene! Indelible. The essence of Italian cinema to me back then when all was new. Funny, thoughtful, offbeat, sensuous, satiric. And la Saraghina: An icon of Italian sexuality to those young, uninitiated boys. All the swells and curves of the female shape widely exaggerated. Made up to seem repellent, but still mysteriously attractive. As though one wandered backstage and learned some truth about women, especially Italian women. Ah, that’s what they’re really like. Raw and irresistible.
Another unforgettable Fellini character. (For a treat, see “Fellini’s Faces,” a book that contains over 600 headshots of characters Fellini auditioned over the years.) La Saraghina has been blazed into my memory all these years. Enough so, that last month I wanted to know more. I wanted to see the beach scene again and found it easily on YouTube. It was as good as I remembered it. Better in some ways because my accrued maturity allowed me to appreciate her more. Fascinating. But who was the actress? What part of Italy was she from? Did she appear in other Fellini movies?
The IMDB revealed that la Saraghina, to my complete and utter surprise, to my everlasting amusement, was played by a woman named Eddra Gale. Who had been an opera singer from Chicago! Of Norwegian descent. She was living in Milan in the early 60s, taking vocal lessons. Fellini saw her on the street one day and asked her to audition for “8 1/2.” She had just the look he was searching for. The rest is cinema history.
And thus it happened that this tempestuous figure, by appearances straight out of classical Italian peasant folklore, was anything but: she was a Scandinavian American from Chicago, of all places. Another cinematic illusion. After this film, she went on to appear in over 100 movies and TV shows including, “The Graduate,” “What’s New Pussycat,” and “Somewhere in Time.” She died in New Mexico in 2001.
I’ll never forget you, Seraghina. Thank you, Eddra.